- Different modes for the bcr 2000 pro#
- Different modes for the bcr 2000 plus#
- Different modes for the bcr 2000 mac#
Different modes for the bcr 2000 plus#
The BCR2000 features no less than 32 rotary encoders, plus a host of assignable switches, and retails for just £140. Their first steps into products specifically aimed at computer users are two cross-platform USB-equipped MIDI controllers - a logical move. And as in any competitive market, manufacturers keep bringing out new controllers that offer more functions and features at prices that seem astonishingly low - until the next price-lowering development.īehringer are the latest company to throw established controller price conventions on their head. Inevitably, there is now a range of products at a variety of prices, from handy little boxes that feature just a few knobs or small faders in compact packages for the same price as a budget soundcard, right up to moving-fader assignable control surfaces that cost more than a computer. The past few years have seen an explosion in the number of affordable MIDI controller boxes available on the market, at prices that would have been unthinkable a few years ago. But have Behringer gone a price-cut too far this time? (BCF2000 $239.99 MSRP, BCR2000 $159.99 sounds like an amazing deal - endless-rotary and (even more incredibly), moving-fader controllers for well under £200 each. Each unit might demand $350 by itself if produced by a competing manufacturer. For the money, nothing comes close for features.
Different modes for the bcr 2000 mac#
I'm happy with both control surfaces, but I hope Mac support improves. But with Reaktor, I could not be much happier. It was like playing with a tape echo or an analog filter for the first time! Endless fun! I have yet to attempt to integrate the BCR2000 with any other applications. As I suspected, it's a dream come true! I assigned 28 of the 32 rotary knobs, and all 16 of the assignable buttons to different parameters of the Reaktor goBox ensemble, and it rocked the computer harder than it's been rocked before. Reaktor has the simplest MIDI controller assigning of any app I've seen and begs for a bay of knobs and/or faders to talk to it. The BCR2000 rotary controller was purchased exclusively for use with Reaktor and Kontakt. Ultimately, productivity and creativity will benefit greatly from having a physical connection to tracks in progress. I'm still getting used to the idea of hardware faders and buttons that talk to my virtual mixer. I found myself not thinking twice about using it as a transport. It worked like a charm once I realized that the unit must be powered on when SX3 is launched (otherwise it's crash city!!!) and added as a controller (seen as a Mackie HUI by SX3).įaders, mutes, and solos worked without any fuss at all. There are also emulation modes for the more widely supported Mackie controllers.Īfter no success getting Cubase SX3 to talk with the fader box in generic controller and Mackie mode, I trolled the forums and found that the Mackie HUI emulation was working for other users.
Different modes for the bcr 2000 pro#
Once this was done, the units ran in various modes pre- configured for Pro Tools, Nuendo, Sonar, and more. I used an application called SysEx Librarian, found on VersionTracker. Fresh out of the box, the firmware was out-of-date, so a SysEx transfer of the latest firmware via USB was necessary. How do they work? I am a Mac user, and as usual, the support for the Mac is lagging substantially. Both controllers are equipped with a simple LED display reflecting the active function. The BCR2000 rotary box has twenty-four rotary knobs instead of faders and is otherwise identical to the fader box.
The BCF2000 fader box has eight 100 mm motorized faders, eight rotary/push encoder knobs, twenty assignable buttons, and encoder group and preset buttons. It makes no sense.īehringer recently introduced two control surfaces that connect to your computer via USB (or MIDI with somewhat limited functionality) and support both Mac and PC.
I even broke down and purchased their little $50, six-channel Eurorack so I could put it between my Mackie and the one $150 cable connected to my $2000 speakers. I've had good luck using the Behringer Composer in both live and studio settings. I personally have no Behringer horror stories to share.
Behringer gets bashed a lot because they've managed to drive down the price of project studio gear significantly without raising (or in some cases maintaining) the level of quality set by manufacturers like Mackie and BOSS, whose gear Behringer has been known to imitate.
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